Communications systems, codes; languages and worlds, from the outset, proceed out of selective idealisation; out of processes and economies of intent(ion). An intention, or intentio, is a picture or picturing, configuring and configured by, lines of motivic force; each line itself, as ‘motivation’, a sent emissary of another vision. This interplay between vision and motivation, or ‘form’ and ‘force’, is one in which each declares the other, proceeds from the other, ‘informs’ the other. Such a scenario of mutual structuration and relation; of effusive phenomenality in all directions; a vast variety of visions, motivations, and missions; all of which can be seen as constituting ‘notional commotion’.